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Ebook The Painting of Modern Life: Paris in the Art of Manet and his Followers

Ebook The Painting of Modern Life: Paris in the Art of Manet and his Followers

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The Painting of Modern Life: Paris in the Art of Manet and his Followers

The Painting of Modern Life: Paris in the Art of Manet and his Followers


The Painting of Modern Life: Paris in the Art of Manet and his Followers


Ebook The Painting of Modern Life: Paris in the Art of Manet and his Followers

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The Painting of Modern Life: Paris in the Art of Manet and his Followers

Review

"The Painting of Modern Life is a very good and very beautiful book. It deserves the closest critical attention.... It is a book that will stir up passion and controversy."---David Harvey, Journal of Historical Geography"That he restores a social and historical context to the work he discusses--from Manet's Musique aux Tuileries to Seurat's Grande Jatte--is not what is most original about Clark's book, elegant and telling as his delineation generally is.... What really lifts the book into a category of its own is the manner in which the assimilation of contextual detail and the observation of pictorial detail are worked together into an argument."---Charles Harrison, Art Monthly"Mr. Clark ... writes with considerable verve; his interpretations of individual paintings are often illuminating, and he is soaked in the social history of the period with which he deals."---John Gross, The New York Times"Like everything that T. J. Clark writes, [this] book bubbles with new ideas and old ideas freshly turned; it is intriguing, suggestive and well written."---Eugen Weber, The Times Literary Supplement

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From the Back Cover

The Paris of the 1860s and 1870s was supposedly a brand-new city, equipped with boulevards, cafes, parks, and suburban pleasure grounds -- the birthplace of those habits of commerce and leisure that constitute "modern life". Questioning those who view Impressionism solely in terms of artistic technique, T. J. Clark describes the painting of Manet, Degas, Seurat, and others as an attempt to give form to that modernity and seek out its typical representatives -- be they bar-maids, boaters, prostitutes, sightseers, or petits bourgeois lunching on the grass. The central question of The Painting of Modern Life is this: did modern painting as it came into being celebrate the consumer-oriented culture of the Paris of Napoleon III or open it to critical scrutiny? The revised edition of this classic book includes a new preface by the author.

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Product details

Paperback: 376 pages

Publisher: Princeton University Press; Revised, Subsequent edition (October 18, 1999)

Language: English

ISBN-10: 0691009031

ISBN-13: 978-0691009032

Product Dimensions:

6.2 x 1 x 9 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

3.8 out of 5 stars

17 customer reviews

Amazon Best Sellers Rank:

#497,882 in Books (See Top 100 in Books)

After reading dozens of books on artists from Manet to Picasso I was looking for a book that would connect the social and political movements of the times to the impact on art. This book by T.J. Clark did just that. T.J. Clark, as many of the reviewers have already accurately stated, makes the case that changing nature of class that caused by the changes from industrialization and capitalism became a key subject of Manet and the Impressionist. But, what I found interesting was the in depth analysis of the Manet's art, based on the earliest critics opinions, overlaid with the authors educated opinion. He does not defend or accuse either the artist or the critics, but does a fine job explaining the controversy as well as the artist's creativity. Frankly much of what he has to say goes over my head, but there was enough unique insight, that I did understand that made it a very satisfying read. I am glad to add it to my art history library.

Excellent analysis, interpretation and exposition of my favorite subject, art and the artist 1830-1901 France. Speaking purely selfishly - a sequel from the same author further re-examining the same subject matter would be most satisfying. However, Mr. Clark would then be guilty of self plagiarising! Some people are just insatiable. C'est moi.

As a student of nineteenth century French painting, I think this may in fact be the finest book ever written on Parisian painting in the time of Haussmanization. Clark manages to offer an intelligent Marxist-based claim about class and the emerging Parisian landscape in the 60's without losing sight of the paintings themselves. While most scholars feel the genius of this book lies in his wonderful discussion of "what couldn't be seen in Olympia", I find the first chapter "Environs of Paris" equally fascinating in its discussion of Manet's Exposition Universelle of 1867. A MUST read for any lover of Parisian history or Manet.

Convincing in arguing for Edouard Manet's distinction as the "initiator" of modernity in Paris—but I find a lot of art writing unnecessarily complex and "academicized." TJClark is one such writer. I do share his obvious love of those two delicious paintings (Olympia and Le Dejeuner Sur L'Herbe). Now, if art historians/professors can only write like art critic Robert Hughes (Shock of the New) ... more people would understand why they should pay more attention to Manet instead of Monet.

Excellant source book on the Haussmannization of Paris in the 1850's-70's and the Impressionistic movement that helped shape the public views on art and class.

T J Clark gives many inspired insights on this specifi period of time. He makes Association between art, literature, history and politics in an unique way.

Clark often interrupts himself and unabashedly links sentences together with numerous colons, hyphens, and semicolons, thus making his ideas unclear at times.He is very unorganized when developing ideas and likes to make and counter his argument in the same breath.It becomes ironically evident after reading the preface, introduction, and first chapter that Clark is writing for his colleagues in academia and not for the masses.Once you get use to his longwinded style the rest of the book is fantastic.

T J Clark is the basis for art historian argument on Impressionism but he is not the most riveting of reads. His chapters are long and his points are a bit stretched, such as his point that only one critic understood Olympia by Manet, but if you want to study Impressionism as an art historian you need to read Clark, his arguments are the basis for the field and if you read any other article or book discussing Impressionism your more likely than not to hear his name again. Also, it takes a couple of times to read him to understand his point, so be prepared for a hard read.

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